Mirror, Mirror is the largest solo presentation of Permindar Kaur’s work ... Kaur’s installations use a visual language of toys, clothing, and shelter to explore how domestic settings shape individuals, and how identity and background relates to these things. Child-like figures equipped with claws, horns, or beaks haunt the gallery like sentinels or misfits, suggesting protection, defiance or both. Drawing on cultural symbolism, including ceremonial Sikh colours such as saffron and navy, her works use techniques of camouflage whilst simultaneously asserting their presence. Throughout, motifs suggesting a high society country house — such as pairs of antlers — are set against materials such as felt or fleece, which suggest both the safety of a childhood comfort blanket or toy as well as the realities of everyday life.
