⭐⭐⭐1/2

Raya and the Last Dragon mostly delivers as one of Disney's most ambitious and daring animated films. The most obvious achievement is every frame of stunning animation and bold direction. The crew dips into Pixar-level territory with rich environments and layers of texture and, may I say, goes further with dynamic camera work and fight choreography descended from the Matrix sequels. But the film isn't just eye candy; Kellie Marie Tran and Awkwafina deliver memorable performances without any cheeky songs to carry them through.

I can't remember any previous Disney Princess actresses, but Tran stands out with vulnerability, strength, and humor. It's far easier to remember the iconic comedic characters from Disney's past, Phil Harris, Nathan Lane, Robin Williams, Eddie Murphy, The Rock. Awkwafina makes the last dragon, Sisu, as endearing and funny as any of these other performances. As the father of four daughters, it was refreshing to have a Disney Princess story that didn't rely on a Prince Charming or make dominated cast. The women of Kumandra are quite capable, and when they get support from the boys, there is never a question of who's in charge.

Unfortunately, the story clunks around a bit as they seem to check off all the Disney boxes instead of letting their world soar. James Newton Howard's score is obviously excellent but feels out of step with its cultural surroundings most of the time, hitting cues that feel more traditional than pulling from the rich history of Southeast Asian culture, which feels like a lost opportunity. Overall, Raya and the Last Dragon felt unsure how far outside the formula it could go but signals an exciting step for cultural inclusion and filmmaking at Disney.